Sculpture has the advantage of using its physicality to explore things that are not physical at all. How do you cast a daydream?
I welcome a confusion between what is real and what is imagined; what is physical and what is felt or sensed.
I aspire to give equal gravity to what we recognize with that which is less tangible and more difficult to name. My studio explores an agnostic approach that affirms both what we know and what we do not know.